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Live-Trips

Trentemøller live

Mar 02, 2027 from 09:00 PM to 11:55 PM
Bierhüblie, Bern
With the upcoming release of his new, self-titled album, Trentemøller sets a bold exclamation mark. The release marks the latest chapter in the continuous evolution of the Danish master, flanked by the haunting single "Terrified," enriched by Jonas Bjerre's distinctive vocals. In parallel, he announces a comprehensive European tour to bring his creation to the stage.

These fresh impulses provide the perfect occasion to honor the musician's complete oeuvre. In the landscape of contemporary sound art, Anders Trentemøller occupies a singular position. The Copenhagen composer has always moved elegantly between electronic and organic worlds. His musical creations act like multi-layered, deeply cinematic paintings composed of sound. Where club-oriented rhythms once dominated, shimmering post-rock guitars now weave intricate patterns. Playful dream-pop, nostalgic wave, and melancholic shoegaze generate an extraordinary density. Trentemøller masterfully understands how to fuse digital precision with analog warmth. Every single tone in his arrangements appears chosen with the utmost deliberation. His art is a constant dialogue between Scandinavian melancholy and dynamic energy. Yet his creative process remains uncompromising, intimate, and free from clichés. Through his own label, "In My Room," he has maintained absolute aesthetic control for years. This artistic independence directly reflects in his uncompromising personal development. Instead of resting on past successes, he tirelessly searches for uncharted sonic paths. The current body of work proves once more how vibrant and mutable his musical DNA remains. The release across vinyl, cassette, and digital formats underscores his devotion to the medium. To make these delicate textures truly tangible, he returns once again to the live stage. The announced concerts are the natural result of wanting to translate studio magic into reality. Together with his impeccably attuned band, the material unfolds an enormous radiance. These performances are not driven by routine, but by a deep need for genuine human connection. On stage, the refined studio aesthetics transform into a captivating, physical ritual. Lighting design, soundwaves, and visual poetry merge into a unified experience at his shows. The concerts offer audiences a rare opportunity to immerse themselves in his soundscapes. Trentemøller thus remains one of the most influential and revered sound architects of our time. His work grows organically, never losing touch with its core emotional roots. He crafts spaces for expansiveness, reflection, and the beauty of imperfection within perfection. The synergy between the new album and tour showcases an artist at the height of his craft. His ability to translate moods into timeless harmonic sequences remains simply unmatched. With every note, he invites listeners to perceive the world through his auditory lens. His present output documents the ongoing maturation of an extraordinary artistic mind. The stage becomes a sacred space where the mathematical rigor of composition turns to emotion. Anders Trentemøller pays the highest respect to music itself through his relentless dedication. His current creative cycle serves as ultimate proof of a sonic art that never stands still.

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Lebanon Hanover

Dec 03, 2026 from 07:30 PM to 11:55 PM
Salzhaus, Winterthur
Lebanon Hanover is the ice-cold reaction to a detached world. Their music is at home in post-punk and dark wave, evoking a sense of isolation and urban loneliness.

 With cold synthesizers, simple drum machines, and gloomy guitars, they create their minimalist, melancholic sound, which is heavily oriented towards the music of the 1980s. Thematically, their songs revolve around alienation, longing, and emotional distance. With their consistent sonic language and calculated aesthetic, they have built a loyal fanbase within the scene. After a nearly five-year wait, Larissa Iceglass and William Maybelline released their eagerly anticipated sixth studio album "Asylum Lullabies" in late 2025. The work is a profound, brutally honest exploration of mental crises, the pain of separation, and the paralyzing world-weariness in the face of global conflicts. Musically, they push their characteristic, minimalist-subzero post-punk sound to the limit here – from sacral-dark sounds in "Pagan Ways" to hypnotic EBM vibes in "Waiting List" to vulnerable declarations of love amidst the chaos. The two impressively prove why they are considered "the most stylishly jaded band in the world" and are currently bringing this raw, cathartic energy live to the stage on their major 2026 world tour.

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FKY live on tour

Oct 27, 2026 from 08:00 PM to 11:55 PM
With upcoming live performances and festival appearances such as the upcoming Idilik Festival, French tekno pioneer FKY is sending a powerful message. His return to the stage marks the current highlight of an ongoing evolution in the realm of underground sound art.

This fresh impulse provides the perfect opportunity to pay tribute to the artist’s profound body of work. In the world of freetekno and tribe hardtek, FKY has held a pioneering role for decades. His compositions are defined by an extraordinary sense for hypnotic modulation patterns and uncompromising energy. Where other producers rely on conventional formulas, he weaves intricate, mesmerizing sonic tapestries. The masterful interplay between raw hardware aesthetics and precisely calibrated rhythmics generates an impressive intensity. FKY understands like few others how to merge analog warmth with the relentlessness of fast-paced beats. Every sound cascade in his live sets feels chosen with the utmost artistic care. His art is a continuous dialogue between underground tradition and forward-looking sound design. Throughout this, his creative process remains intimate, authentic, and free from commercial constraints. Through constant connection with the subculture, he has preserved absolute aesthetic independence for years. This ethos directly reflects in his steady evolution on stage and in the studio. Rather than resting on past classics, he tirelessly explores new avenues of psychedelic sound design. His current output proves once again how vibrant and mutable his musical DNA remains. To make the fine nuances of his driving basslines truly tangible, he returns to the stage. The announced gigs are the natural result of a desire to translate studio energy directly into a physical experience. On stage, analog machine language transforms into a captivating, collective ritual. Soundwaves and raw sound system culture merge at his shows into an impressive unity. The performances offer the community a chance to immerse themselves deeply in his uncompromising sonic worlds. FKY thus remains one of the most influential and revered architects of freetekno culture. His work grows organically, never losing touch with the scene's foundational values. He crafts spaces for ecstasy, musical movement, and the pure magic of analog synths. His present output documents the ongoing maturation of an extraordinary producer personality. FKY pays the highest respect to sound system culture itself through his relentless, passionate dedication. His current appearances serve as the ultimate proof of a sonic art that never stands still.

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Odd Beholder (CH)

Sep 16, 2026 from 08:30 PM to 11:50 PM
Zürich, Bogen F
For years, Zurich-based musician and songwriter Daniela Weinmann, aka ODD BEHOLDER, has been exploring the powerful impact of her sound.

Her dream-pop has always been atmospheric—her songs like resounding secrets—but with her wonderful, quietly understated new electronic album, Honest Work, she reaches a new level of weightlessness: tender, sad, and hopeful. Cottony synth basses and a coolly programmed drum machine serve as her anchors.

Honest Work is a concept album that deals with modern labor and all its complicated entanglements in a globalized world: exploitation, the climate crisis, isolation, greed, and the pressure to perform—yet it never feels overly intellectual. Quite the opposite. Odd Beholder has preserved a sense of the permeable and the imaginary, which she weaves into paper-thin sheets of sound with the help of Berlin techno producer Douglas Greed. Weinmann’s clear voice catches in these sonic fabrics, compelling you to listen closely as she sings. And when a pop-infused guitar sparkles toward the horizon, as it does in "Drive," dreamlike landscapes drift by.

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Apparat / Darkside

Jun 18, 2026 08:00 PM to Jul 18, 2026 11:55 PM
KKL, Luzern
One evening, two acts that complement each other perfectly! An evening with DARKSIDE and Apparat at KKL Luzern is no ordinary show - it is a journey through sound, space, and emotion.

The band centered around Chilean-American producer Nicolás Jaar and guitarist/multi-instrumentalist Dave Harrington has expanded its line-up. For their third album, Nothing (2025), and after twelve years of band history, they have welcomed their long-time friend Tlacael Esparza as a permanent drummer and instrument designer. The result is magnetic and mysterious. Through hypnotic grooves, improvised structures, and atmospheric depth, the album pushes the boundaries between electronic music, psychedelic rock, and the avant-garde.

Berlin-based producer, composer, and performer Sascha Ring has been one of the defining figures of electronic music for years. Six years after his Grammy-nominated album LP5, he opens a new chapter with A Hum Of Maybe (2026)—a work that seamlessly evolves his signature sound of electronic soundscapes and distinctive vocals. Following a worldwide tour with Moderat and select DJ sets, Apparat returns to the stage in 2026 with a full-band show. These concerts will present the new album in its entirety, complemented by curated highlights from his previous body of work. Live, he beautifully merges electronic club music with the grandeur of a concert hall atmosphere.

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